Showing posts with label christopher lee. Show all posts
Showing posts with label christopher lee. Show all posts

Thursday, 21 July 2011

Hyde and Peep

DVD Review: THE RESIDENT
15 – 87mins – 2011
Written by: Antti J. Jokinen and Robert Orr
Directed by: Antti J. Jokinen
Starring: Hilary Swank, Jeffrey Dean Morgan, Christopher Lee, Lee Pace, Aunjanue Ellis

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[SPOILERS] Initially earmarked as the iconic horror studio’s tentpole comeback release after nearly 30 years in production hibernation, Hammer Films’ The Resident fell out of favour and was overshadowed by Matthew Reeves’ Swedish vamp remake Let Me In (reviewed HERE), eventually snuck out on home video format* to scarce fanfare earlier this month – despite a surprisingly healthy A-list cast.

Oscar winner Hilary Swank is game for whatever the script asks of her (and it asks her for a couple of nekkid bath shots) as newly SWF Juliet Devereau, an ER doc who moves into an apartment owned by singleton carpenter Max (Watchmen’s Morgan) and occupied by his frail grandfather August (Lee, in a return to the studio that made him).

As Juliet tries her hardest to make a fresh start and get over her cheating ex (Pace), Max seems like the perfect antidote: charming, funny, attractive (well, behind that scraggily tramp beard at least) – but his amiable façade hides a dangerous obsession which turns Juliet’s dream apartment into a living live-in nightmare…

While copious sly peephole shots create a fittingly claustrophobic atmosphere, Antti J. Jokinen’s voyeuristic thriller sadly falls short of success due to its lack of tension and a stripped down, linear plot. Within 10minutes Juliet is already paranoid of every creak and shuffle, and after just half an hour the timeline is reset to show Max stalking her every move, just out of camera.

A couple of doorway glances and a “welcome to the building” basket aside, suspicious August is never utilized as an efficient red herring to his “weak” grandson’s fetishistic perversions. He hints at knowing about Max’s shady activities (“I know everything that goes on in this building”) and he makes hazy suggestions that a troubled, parentless upbringing has lead to Max’s moral deficiencies, but bed-bound August is dispatched before making a discernable dent on the story.

Morgan and Swank spark superbly in the opening clutch of scenes as nice guy Max charms his guarded tenant and romance blossoms, but Morgan is so successful at pulling off cordial and sociable that when he slips behind the walls and puts on his finger-licking, victim-sedating stalker hat you struggle to believe this vicious psychologically-damaged beast is the same sweet character. Beyond schizophrenic, the transformation verges on Jekyll and Hyde in its demands for implausibly contrary characterisation from the man who was The Comedian.


In a CR@B Shell: A disturbing and moody "landlord from hell" genre flick which disappointingly dispels any suspense far too swiftly with an omniscient eye and a dubiously duplicitous villain who could easily be played by two completely different actors.
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* Wikipedia alleges the film received a limited UK cinema outing in March 2011, but I certainly never came across it.

Wednesday, 22 June 2011

Solomon Cage

DVD Review: SEASON OF THE WITCH
15 – 98mins – 2011
Written by: Bragi F. Schut
Directed by: Dominic Sena
Starring: Nicolas Cage, Ron Perlman, Claire Foy, Stephen Campbell Moore, Robert Sheehan, Ulrich Thomsen, Stephen Graham, Christopher Lee

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Despite receiving a near unanimous critical mauling upon its theatrical release back in January, I still found much to enjoy in this swashbuckling blend of medieval quest and supernatural horror from the director of Swordfish, based on a decade old spec script which shifted between studios a suspicious number of times before Relativity Media produced it as their first in-house venture.

The permeantly unenthused Nicolas Drive Angry 3D Cage and Ron Hellboy Perlman team up as aggrieved knights Behman and Felson who quit their dishonourable order and return from a Catholic crusade (read: bloody massacre) to find their homeland ravaged by the Black Death.

Arrested for being deserters, the pair are charged by a dying Cardinal (Christopher Lee; barely recognisable beneath grotesquely disfiguring make-up) to escort a girl accused of witchcraft (Claire Foy) to a remote monastery to "stand trial" (read: be exorcised) and – in doing so, they hope – rid the land of plague. Well, it sure beats rotting in a jail cell. Right?

Accompanied by a band of priests, alter boys, knights and rogues – including Misfits' affable screwball Robert Sheenan, who impresses on the big screen – Felson and Behman set off on their old school road trip, ever-fearful of the prospect of being in such close quarters to a witch. As they journey on through foreign lands and spooky forests, disagreements rage and numbers dwindle in mysterious circumstances, until the girl’s true form is finally revealed.

If you liked last year’s Soloman Kane, chances are you’ll like Season of the Witch, which could very well inhabit the same universe, so akin are they in themes and tone. While Season would have benefitted from an 18 rating and more unreserved horror (it was toned down in production to be more teen-friendly and, sadly, the home release doesn’t offer a bloodier Extended Cut), there is still much supernatural splendour on offer in this unrelenting escapade.

It’s a minor gripe, but the “twist” in the denouement barely qualifies as such (it’s an issue with semantics, really) and the ensuing battle betwixt good and evil is diminished by the foe being all too obviously a CGI creation. Nevertheless, this is still a decent enough – if frivolous – swords and sorcery romp in the style of a classic B-movie. Season of the Witch may have its detractors but it delivers well enough as a schlocky Saturday k-night rental.


In a CR@B Shell: Sure, it’s high concept fantasy fare which won’t win any awards, but this is no Uwe Boll disaster (and Perlman knows all about those… *cough*In The Name of the King*cough*). Switch off your brain, switch on Season of the Witch and be dazzled by the entertaining barrage of gallant and ghoulish goings on.
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