Showing posts with label satire. Show all posts
Showing posts with label satire. Show all posts

Friday, 11 March 2011

Graveyard Slot

Book Review: THE NEWS WHERE YOU ARE
Written by: Catherine O’Flynn
309 pages
Published by: Penguin Books
Released: 2010

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Never judge a book by its cover; perhaps the most well known piece of advice, and yet one which I never fail to ignore. Looking at the bright colours and twee portrait of a man and his daughter walking hand-in-hand through a blossoming park as a city spreads out in the distance, I was convinced The News Where You Are would be a light-hearted novel from an “awesomely talented” (so writes Tatler) “comic genius” (Daily Mail) I would enjoy. Indeed, Scotland on Sunday was positively gushing in their grab line:


“Seriously uplifting, hilarious. A funny, moving, acutely observed story about
family and loss. A pleasurable, satisfying gem of a novel”

Of course I’m not so easily swayed that I didn’t read the synopsis, too. The quirky blurb – outlining how a pun-machine of a regional TV news presenter becomes something of an amateur detective, investigating the mysterious hit-and-run death of his predecessor – reminded me of Mark Haddon’s A Spot of Bother (in tone more than plot, I must elucidate). A funny and moving study of mortality, family and friendship? I’m in!

O’Flynn’s prose is enrapturing in its precision, her dialogue free-flowing and naturalistic, but what quickly struck me about her sophomore release was how achingly depressing it is. Granted, there are flashes of comedy, particularly from protagonist Frank’s eight year old daughter Mo, but her aside every other character is so weighed down by melancholy worries that you wonder how any of the applauding publications could focus so narrow-mindedly on the “laugh-out-loud satire” (Independent on Sunday).

Frank’s aforementioned predecessor, Phil – his story gradually unfolded through intermittent flashbacks prior to his death – is a celebrity who is adored by his public and promoted to nationwide entertainments shows, but he is so consumed with vanity and his public appearance that he never seemed happy with his lot. Phil’s lifelong best friend, Michael Church, a lonely near-hermitised old man who fell out of contact with the local celeb for many years, has also recently passed, and Frank is saddened by the lack of fanfare for this passing life.

Closer to home, Frank’s female co-host is apathetic to the frivolous nature of their show, “Heart of England Reports”, while Frank’s mother is lonely and bitter and refuses to acknowledge any hint of joy to her loyal son, even when a care home friendship with a man called Walter flourishes, while Frank and his wife Andrea spend time educating Mo in the quickly disappearing legacy of Frank’s deceased architect father, who’s creations are being knocked down faster than anyone had hoped.

O’Flynn’s short, sharp chapters feel so contained that it is over halfway through the novel that the various character strands start to feel like they are leading somewhere climatic. Car journeys to destinations we never progress to and walks down corridors to rooms we never enter form fleeting venues for discussion but can’t disguise a random sensation when the following chapter jumps to another location, character or even year entirely.

For all of my criticisms, the book’s gloomy outlook does lend the motivating murder/mystery element an insightful and reflective edge. Should we mourn loss and fear progression or should we become obsessed with leaving a concrete mark of our existence? Does it matter? Will we be missed? However, such profound questions obscure any wit in a sentimental mist, leaving a bittersweet feeling which doesn’t prohibit me appreciating the prose, but does hinder me taking pleasure from it.


In a CR@B Shell: An acutely written polemic on existence with a host of well-rounded folks all contributing to the melancholic discussion, but O’Flynn’s satire will leave you unsure whether to laugh or cry. The News Where You Are simply wasn’t the “uplifting, hilarious” book I was lead to expect.
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Wednesday, 15 September 2010

Hard Sell

DVD Review: THE JONESES
15 – 96mins – 2009
Story by: Randy T. Dinzler
Written by: Derrick Borte
Directed by: Derrick Borte
Starring: David Duchovny, Demi Moore, Amber Heard, Ben Hollingsworth, Gary Cole, Glenne Headly, Lauren Hutton, Christine Evangelista, Chris Williams

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[SPOILERS] Perfect house, perfect car, perfect gadgets, perfect kids... perfect lives? The Joneses may be the new family in suburbia, but the neighbourhood is already green with envy and struggling to keep up with these ultimate trend setters. Little do they know that this perfect middle-upper class “family” is actually a team of stealth marketers out to sell their manufactured way of life.

If you haven’t yet seen the film and you’re angry with yourself for reading far enough into my review to ruin the twist, then don’t worry; even the film’s tagline gives the game away, somewhat diminishing the shock value of seeing promiscuous high schooler Jenn Jones (Amber Heard) strip naked and get into bed with her “father”, Steve (David Duchovny), twenty minutes in.

I’m sure there are film fans out there who will buy in to The Joneses ironic and satirical nature; the gorgeous yuppies, shiny top end products and sunny suburbs masking the dark stab at consumerist society which underlies this noughties social commentary. Unfortunately, it just didn’t click with me. It felt like the film didn’t really know what it was trying to be, so held back from being too satirical, too dark, too funny, too dramatic or too clever to confidently sell itself.

It probably doesn’t help that Steve – a former golf pro and car salesman who is new to this unusual line of work – is such a genial and moral lead character that he even wins over his clinically austere “wife” and long-term businesswoman Kate (Demi Moore). You simply cannot hate a man who - no matter how much shit his dysfunctional family unit get into - you always know will do the honourable thing.

Conversely, the film’s attempts to be hard hitting and edgy – the aforementioned “incest”, a car crash, “son” Mick’s (Ben Hollingsworth) sexual persuasion, desperate neighbour Larry’s (Gary Cole) downfall, a shock discovery in the swimming pool – seem somewhat out of sync with the more lightweight bulk of the narrative, leading to a very patchy whole.

I guess this is why The Joneses – for all its gallant intentions – was gathering dust on the studio’s shelf for so long after it was filmed; the marketing bods were probably as bewildered as I was by how to sell this genre-clash concoction and didn’t want to sink too much capital into a gamble. Which is somewhat ironic given the film’s none-too-subtle assertion that it’s easy to sell anything to the gullible and jealous masses.


In a CR@B Shell: By no means a generic run-of-the-mill comedy, The Joneses is a daring fable of our materialist time. Alas, it stops just shy of delivering on its barbed concept’s promises, and I failed to invest in this uneven product.
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