Monday, 25 April 2011

Go-Go-Gadget: Son

Blu Review: ASTRO BOY
PG – 90mins – 2009
Story by: David Bowyers
Screenplay by: Timothy Hyde-Harris and David Bowyers
Based on the original 1952 Manga comic character created by: Osamu Tezuka
Directed by: David Bowyers
Starring the voice talents of: Freddie Highmore, Kristen Bell, Nicolas Cage, Bill Nighy, Donald Sutherland, Nathan Lane, Matt Lucas, Newell Alexander, Charlize Theron, Eugene Levy


Beneath the sleek glossy surface of this futuristic Manga-adapted CGI 'toon beats a very human heart. In point of fact, that turn of phrase works just as fittingly as a microcosmic metaphor for the dualistic bionic central character in this high-flying robot-who-thinks-he's-a-real-boy adventure. Astro Boy is a morally underscored journey of self-worth and acceptance, akin to Pinocchio retold for the Ben 10 generation who are too young for AI but too cool for Disney.

Boasting a surprisingly first rate voice cast, bright, crisp animé-tion and a welcome dose of (occasionally overtly juvenile) humour; director David Bower's heroic Hollywood-isation is vivid comic book entertainment the whole family can enjoy. But beyond the technologically exuberant spectacle (“I've got guns... in my butt!”) lies a much darker and more emotional message...

The eponymous automaton is built by a brilliant scientist (Cage) in the image of the son (Highmore) he lost, only to be rejected by the grieving father and forced to (literally) fight to find his place in a world which looks down upon robots as utensils built to serve. That is, until the citizens of Metro City need saving from a Presidential mad-man (Sutherland) determined to do anything to stay in office. Sure, it's hardly revolutionary, but Astro Boy doesn't deserve to be thrown on the scrapheap of pixelated misfires, either.

CR@B Rating: Astro Boy's innocently cherubic looks and swanky arsenal of gadgetry cloak this sombre coming-of-(space)-age tale in the sleek identity of an exhilarating sci-fi Saturday-matinee spectacular. Kudos to project spearhead David Bowyers; this 21st century reinvention is a blast on both fronts.

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